Creative economy: War on content piracy a good safeguard for youth culture

But behind this cultural boom, a quiet theft is unfolding. Piracy is bleeding our creative economy dry. And the most painful truth? It’s not faceless hackers or shadowy syndicates doing the damage. It’s us.

Every time we stream a pirated link, repost a TikTok without credit, or download a movie from a sketchy site, we’re not just breaking the law—we’re breaking the backs of the very creators we claim to support. It feels harmless. Convenient. Even justified. After all, who wants to pay for something they can get for free?

But here’s what that “free” costs: a filmmaker in Kisumu goes unpaid. A dancer in Mombasa loses recognition. A podcaster in Nairobi misses out on sponsorship.

Every stolen view is a stolen opportunity. And when those opportunities vanish, so do the stories, the beats, the voices that make Kenyan culture so electric.

Globally, digital piracy costs the media and entertainment industry over $75 billion annually, with projections pushing that number to $125 billion by 2028. More than 229 billion visits to piracy websites were recorded in 2023 alone, with Gen Z and millennials contributing to over 70percent of those visits. This isn’t just a global problem—it’s a generational one.

And Kenya is not immune. Our creative economy, though still emerging, is already a vital part of our national identity and economic potential.

According to the Kenya National Bureau of Statistics, the creative sector employs over 1.5 million youth, accounting for approximately 10 percent of total youth employment. Yet despite this promise, the sector remains heavily informal, fragmented, and vulnerable to exploitation.

In 2023, Kenya’s creative economy contributed 0.2percent to GDP and 0.25percent of total wage employment. Those numbers may seem small, but they represent a foundation that could grow exponentially—if protected. With 75percent of Kenya’s population now under the age of 35, the creative industry is not just a niche—it’s a national opportunity.

Platforms like Showmax have given Kenyan stories a stage. But piracy threatens all of this. Every illegal download chips away at the foundation of our creative economy. It tells our artists their work isn’t worth paying for. It tells our youth that shortcuts are acceptable. It tells our culture that it’s disposable.

This isn’t just a legal issue. It’s a moral one. If you love Kenyan content—if you share that TikTok skit, stream that Gengetone anthem, binge that Showmax drama—then you have a responsibility. Protect what you love.

Stream from legitimate platforms. Pay for subscriptions. Refuse to share pirated links. Report illegal uploads. Support campaigns like Partners Against Piracy (PAP) that fight for creators’ rights.

Because every time you choose legit content over a pirated version, you’re investing in Kenyan talent. You’re saying yes to a future where our stories are told, our voices are heard, and our culture thrives.

And the stakes are high. Piracy doesn’t just hurt creators—it hurts the economy. In Kenya, where 43percent of youth are unemployed, protecting creative jobs isn’t optional—it’s urgent.

The writer is the Head of Operations Support at MultiChoice Kenya